Saturday, November 5, 2011
intermodal
Tuesday, October 18, 2011
Brownfields
aned up. Land that is more severely contaminated and has high concentrations of hazardous waste or pollution, such as a Superfund site, does not fall under the brownfield classification. Mothballed brownfields are properties that the owners are not willing to transfer or put to productive reuse." (http://en
.wikipedia.org/wiki/Brownfield_land)

Monday, October 17, 2011
Cosmopolitanism

Cosmopolitanism is the ideology that all human ethnic groups belong to a single community based on a shared morality. This is contrasted with communitarian and particularistic theories, especially the ideas of patriotism and nationalism. Cosmopolitanism may entail some sort of world government or it may simply refer to more inclusive moral, economic, and/or political relationships between nations or individuals of different nations. A person who adheres to the idea of cosmopolitanism in any of its forms is called cosmopolite. (http://en.wikipedia.org/wiki/Cosmopolitanism)
Monday, October 10, 2011
Sidewalk
A sidewalk is a pedestrian path along the side of a road. A sidewalk may accommodate moderate changes in grade (height) and is normally separated from the vehicular section by a curbThere may also be a strip of vegetation, grass or bushes or trees or a combination of these between the pedestrian section and the vehicular section.(http://en.wikipedia.org/wiki/Sidewalk)
The sidewalk, severs far more purposes besides carrying pedestrian. It acts as the onjunction of the buildings and other users that border it. It provides a place that people could participate into the city life. Nowadays, a csidewalk by itself is nothing. It may be used for rich social spaces ground retail, markets by busking musicians or bicycles.
Sunday, October 9, 2011
City of Global Capitalism

Olfactory
Here are how some architecture express smell visibally.
" Léviathan Thot, Ernesto Neto
As part of the Paris Autumn Festival, Neto displayed Léviathan Thot in the Panthéon, Paris in 2006. Neto used tulle and polystyrene suspended from the ceiling to create a new relationship between space and the body. The translucent skin allowed for visitors to see the scents establishing a tension wanting to touch and play with the hanging floral stigma releasing more scents into the air. Through the passage of time, the scent dissipated into the space and would visitors would need to interact with it again (spray more perfume into the room).Like perfume which encompasses the space all around, Léviathan Thot provided a new spatialized scent formula which worked with gravity to place smells directly in front of the nose like a top note. The aromatic combination included black pepper, powdered cloves, turmeric, ginger and sand representing a flower with unique colors and perfume. The chandelier was intended to be touched, seen and smelled. Residue of the different spices and herbs left circles on the floor as a remnant of the installation (like the base of the perfume)."
"Eating the City, Song DongEating the City is a series of installations by Song Dong beginning in 2006. He recreates a mini-replica of the city in wafers, cookies, biscuits and candy. Viewers are presented with a sweet olfactory experience of the city rather than the usual urban stench of steam, garbage, and other urban pollution odors. Because food is an edible product, Dong explores it the temporality of a city through a decomposing, non-permanent material. The public is allowed to nibble the exhibit as their human footprint changes the daily footprint of the modern city landscape."
http://jodipfister.wordpress.com/2011/02/06/territories-of-olfaction/
Infrastructural Urbanism
In our studio's recent assignment, we are designing a series of infrastructure to improve riverfront area in Detroit. This is a way to work at the larger scale that escapes master planning. However, that doesn't mean that we could neglect mapping, projection, notation and visualization. We are just designing infrastructural projects to give people some brand-new experience.
